new robin hood

BBC Robin Hood series 2 & 3 links:

2011-09-12T09:47:00.006+01:00

Robin Hood series 2 episode guide, reviews and pictures can be found here: Robin Hood series 2.

Robin Hood series 3 episode guide, reviews and pictures can be found here:Robin Hood series 3.

No illegal downloads.

All other Robin Hood blogs are in a process of being updated for their information, pictures, and historical content. I will keep you posted via Twitter. Thanks for your continued interest.

Robin Hood Series 1. Exhibition, Nottingham Castle 2007 / 08

2007-12-11T18:07:00.001Z

Whilst cities in the U.K. such as London and Birmingham get a large number of TV and/or science fiction related exhibitions, the rest of the country (in spite of excellent venues), get rather too few. So the modest Robin Hood Exhibition at Nottingham Castle, timed to coincide with the second series, came as a welcome treat.
The pictures here of the costumes require no explanation. The video clips are posted for publicity purposes only, without profit, and to support this and future similar initiatives. Apologies for the poor sound quality, but they were filmed as "live" amidst conflicting events.

Robin Hood picture gallery 18

2007-04-22T18:36:00.001+01:00

Robin Hood picture gallery 17

2007-04-22T11:05:00.001+01:00

Robin Hood. Spotlight on the cast 9: Keith Allen.

2007-03-08T23:59:00.001Z

Whilst we all say The Sheriff of Nottingham it is worth pointing out that in the original tales of Robin Hood, Robin killed at least two Sheriffs! Or, maybe it was simply that the writers of those accounts gave different versions of how the Sheriff met his grisly end. (Beheading seemed immensely popular in those tales!) But how ever many Sheriffs there might have been in Robin Hood's day there is no doubting that the Sheriff of Nottingham was Robin Hood's arch enemy. As with Van Hesling and Dracula, Pat Garret and Billy the Kid, or Captain Kirk and the Klingons, Robin Hood and the Sheriff of Nottingham are destined to do battle across the landscape of our imaginations for all of time.
The position of Sheriff was neither by election nor Royal Appointment. One became Sheriff simply by buying the privelige with an annual sum given to the King. After this the Sheriff would be expected to earn his own income via taxes and confiscations of outlaw properties. So the system was always going to be open to abuse. In fact the most historically correct film version of the Sheriff of Nottingham could well be that of Douglas Fairbanks's silent movie: A shady yet rather non-discript character, hovering in the background, but taking every opportunity that came along to benefit himself and further his advantage.
Of all the characters in the legend of Robin Hood it is the Sheriff of Nottingham that has been portrayed with the most consistent level of excellence. The original source of much of this was certainly Alan Wheatley in The Adventures of Robin Hood. Wheatley defined the character as dastardly, scheming, cruel, and as camp as a row of scout tents. You can still see his influence in the excellent work of Nickolas Grace (Robin of Sherwood), and Alan Rickman (Prince of Thieves). But there have been other fine interpretations, such as Peter Cushing and Robert Shaw, who both depicted him as a military man in chain mail, keen to engage in combat. (Note the gory duel between Robin and the Sheriff which ends Robin and Marian).
Keith Allen, swishing about in his eastern style silk "pajamas" amongst the bird cages, still belongs firmly (I'm pleased to say), to the tradition of a dastardly Sheriff of Nottingham that we love to hate. If at times he has come perilously close to being a pantomime villian (and let's not forget this show goes out at an early hour), he has the skill and experience to pull back from the edge and get genuinely unsettling again. Who can say they weren't shocked by his early hanging of Alan A ' Dale's brother? The torture of Roy? The cutting of Marian's hair? (Not to mention the canary!)
Known to be a very creative actor, keen to explore ideas if they arise rather than simply accept a given script, his skills have proved a solid corner stone around which the younger cast have been able to develop their own craft. For example, the bedroom scene in episode 3, in which Robin Hood has the Sheriff at knife point; just look at Jonas's face. Robin Hood might have the knife, but he's not at all in charge of that situation. There's a feeling of tension there, as if neither are sure what will happen next, and they're enjoying it immensely. Similarly with Lucy Griffiths; in several episodes, when Marian stands next to the Sheriff she looks genuinely concerned and/or afraid. Understandable when you look at Keith's previous "bad guy" films! The casting of Keith Allen has been an inspired and invaluable part of the success of this series. Internet searches and fan club sites are naturally bound to revolve around the younger cast members, but Keith Allen has been the backbone of the series.

To see the place where the real Sheriff of Nottingham once lived click here. For more Sheriff of Nottingham pictures and info visit the links on THIS PAGE.

Robin Hood. Spotlight on the cast 8: Joe Armstrong.

2007-02-21T18:08:00.000Z

Unlike most of the other outlaws, such as Little John and Tuck, Alan A Dale's first meeting with Robin didn't involve a challenge or a fight. In the legend, Robin came across Alan A Dale when Alan was heart broken and forlorn at the prospect of the woman he loved becoming the bride of a rich and powerful knight. It's likely that Robin had seen Alan before around Nottingham, singing his topical ballads about the events of the day, or telling a good tale in an Inn. And so, to see him looking depressed was probably what aroused Robin's curiosity and led him to extend an offer to Alan to join his Merry Men. Someone who could tell a good story around the campfire at night would boost moral, and be an excellent addition to the gang.
Alan agreed to join Robin on the condition that they first rescue his girlfriend Ellen. This they did, interrupting the wedding ceremony itself, after which Little John is said to have put on the Bishops clothes and wed Alan to Ellen. The happy couple then both join the outlaws and live in Sherwood Forest. (Robin of Sherwood devoted an episode to a loose interpretation of this story, but didn't have Alan A Dale join the outlaws at the end).
Alan could take care of himself in a fight, but he was most useful as a good woodsman (hunting, trapping), and of course as an entertainer. This has made him a difficult person to cast in films and television shows. On the printed page Alan A Dale became a very popular aspect of the legend, but on screen no-one really wants to see the action interrupted by old English folk songs. In fact there is really only one Robin Hood film which gives Alan a high profile, and that is Walt Disney's Story of Robin Hood. Here the Alan A 'Dale character is used to move the plot along by appearing periodically to sing a verse, much like the way an old English ballad itself is structured. This technique was very effective in its day, and expertly handled by the American folk singer Elton Hayes. The only other significant appearance by Alan A Dale would seem to be Eric Flynn's role in A Challenge for Robin Hood. This is certainly not a great Robin Hood film (although John Arnatt gets to reprise his wonderful TV version of the Sheriff of Nottingham), but Alan A Dale's character in the film is interesting if only for the fact he is the angry leader of the outlaws before Robin comes along. Eric Flynn gives a really good performance, until the second half of the film when he breaks into song...
The BBC has wisely avoided all musical links with their modern Alan A Dale, and as such Joe Armstrong has been given the opportunity to re-invent the role and make it his own. Joe's outlaw replaces song with "tall stories" and exaggerations, as in episode 1 when he tries talking himself out of being punished for poaching. He is excellent as the "cheeky chappie", "one of the lads" type, with a fairly easy come easy go attitude. For example, in episode 12 when he thinks a life with Robin Hood is coming to an end, he persuades Will to join him for a new life beyond Sherwood. (How appropriate that it was the optimist in the group who first noticed Marian was breathing). Alan A Dale provides an excellent balance between Much's constant verbalising and the silence of Will and John, making him a natural spokesman for the team. But Joe Armstrong's character has worked so well because we have also been given a glimpse of his other side, particularly episode 7 when his brother was hung by the Sheriff of Nottingham. It is this opportunity for a fuller development of a character that fans would like to see more of in certain other members of the cast.
To say Joe Armstrong is my favourite Alan A Dale is perhaps not to say too much. After all, there hasn't been much competition for that role in the last 70 years! But perhaps now future film makers will see how this outlaw can be successfully integrated into the proceedings in a contemporary way.

Next week: Keith Allen.

Robin Hood. Spotlight on the cast 7: Anjali Jay

2007-02-16T15:14:00.000Z

Djaq was neither the first Saracen outlaw to feature in a Robin Hood series, nor was she the first girl outlaw. In that respect those critics who derided her role as being motivated by a need for political correctness were quite wrong.The equality of "girls and boys" was explored several times in the 1950s via Patricia Driscoll's performance as the second actress to play the part of Maid Marian in The Adventures of Robin Hood. Occasional stories were also given over to the equality theme, one in particular featuring a very young and later to be acclaimed award winning actress Billie Whitelaw. But perhaps of greater significance was Judi Trott in 1984's Robin of Sherwood. Trott's version of Maid Marian was officially outlawed by the Sheriff of Nottingham, actually married Robin Hood in a simple Pagan ceremony, and then lived amongst the outlaws in Sherwood Forest.
The concept of including a Saracen outlaw among Robin's Merry Men is also nothing new and was one of many significant aspects of Robin of Sherwood. Mark Ryan played the part of Nasir, a mercenary who was originally meant to kill Robin but, having witnessed his character and tested his skill in a duel, decided of his own volition to join him. Nasir was a man of very few (if any) words, and his character soon gained a huge loyal following. In 1991 Hollywood incorporated several ideas from Robin of Sherwood into Robin Prince of Thieves, such as an angry Will Scarlet and a Saracen outlaw. This time that outlaw was called Azeem, played by the distinguished actor Morgan Freeman who, in spite of his ability, never really challenged Mark Ryan's version. However, "Prince of Thieves" did explore the clash between Azeem's faith system and that of a very cantankerous Friar Tuck in a most entertaining way. (One of the better aspects of the movie).
And it didn't end there. The third "black" outlaw was the oft forgotten Kemal, played by real life martial arts competitor Hakim Alston. In the late 1990's television series the "New Adventures of Robin Hood", Kemal was a black mercenary who joined Robin Hood for the second series. I wish I could tell you more, but I've never seen the series, nor can I seem to obtain any tapes of it. (Much to my regret!) However, I think the point has been made that the inclusion of a "black", Saracen, or Arabic outlaw has probably been the most important and popular innovation to the whole legend during the 20th century. When the Jonas Armstrong version of Robin Hood began in 2006 such a character was absent. Thankfully she arrived in episode 5 when Robin Hood rescued Djaq (Anjali Jay), from a wagon bound for Gisborne's mines and a life of slavery.
Djaq is the most educated of the outlaws, and does not share their Saxon fears and superstitions about sorcerers (episode 10), or Turk flu (episode 5). She also has knowledge of the "black powder" (episode 9) prior to its arrival in Nottinghamshire, and exhibits an awareness of basic medical procedures in advance of those around her. (The scene in episode 12 when she attempts to revive Marian is at one and the same time thrilling, heartbreaking, and hilarious). There are occasions when Djaq wonders if Robin values her less because she is a girl, such as episode 8 when his urge to kill Gisborne seems more important than her safety. But in the end, Djaq serves as a symbol of Robin Hood's redemption from whatever actions he may have undertook in the war, and he clearly values her friendship and respects her cultural background. For example, when the outlaws vote to throw the formula for the "black powder" into the fire, he sees Djaq retrieve it but doesn't get angry. The outlaws were fearful and superstitious about the powder and its consequences. But Robin had been in agreement with Djaq that knowledge should be preserved and encouraged, and is pleased to see her save the book because he knows she will not abuse it.
Anjali Jay has excelled in the role of Djaq. Those that level accusations of "political correctness" should think again. Where a character can serve as a positive role model, illustrating the fact that the Saracens were neither savage, backward, nor heathens, then I call that a worthwhile education. She has inherited the role first popularised by the great Mark Ryan, combined it with aspects of Judi Trott's girl outlaw, and made it her own. I can't wait to see what a new Friar Tuck will make of her...

Next week: Joe Armstrong.

Robin Hood. Spotlight on the cast 6: Harry Lloyd.

2007-02-06T23:04:00.000Z

Even before film was invented there were already many different accounts of who exactly Will Scarlet (also spelt Scarlett), actually was. Most Robin Hood fans have accepted the version in which his real name was Will Scathelocke (or Scatlock), and was changed to Scarlet for one of two reasons: The first reason is based on the original tale which tells of Robin Hood meeting a stranger in the woods wearing scarlet silks. This seems unlikely, but the word "scarlet" can translate as "rich" or "expensive", and was no doubt taken as literally bright red in the earliest costumed plays about Robin. The second reason is that Will was both short tempered and filled with bitterness and anger at the death of his wife, caused by the Norman lords; his fits of rage being described as "scarlet".
It is possible to put both accounts together and picture an angry, outlawed man, seeking revenge on the Normans, and given to wearing as trophies those items of expensive clothing he stole from the rich. But there would still remain various other aspects of the complex character with which he has been credited. For example, many of the tales describe him as Robin Hood's cousin, and it was quite common for families to be outlawed rather than just one individual. An intriguing character indeed.
1930's Hollywood depicted Will Scarlet (Patrick Knowles) quite literally in red silk, merrily singing on the river bank whilst Robin Hood and Little John fought it out on the bridge. (This new found musical ability no doubt saved the film budget from having to employ an Alan A Dale!) Thankfully, Anthony Forwood in the first Walt Disney version of Robin Hood toned the character down somewhat. And note how, in all these versions, and many which followed, Will Scarlet is Robin Hood's closest friend long before he even meets Little John.
We never got to see an angry Will Scathelocke / Scarlet until the opening episodes of 1955's the Adventures of Robin Hood. Here Bruce Seton plays the part of scruffy outlaw leader Will Scatlock who robs from the rich to keep for himself (similar to the way the BBC portrayed Little John), until his death puts Robin in command. This idea was ahead of its time, and there wouldn't be another angry Scarlet (with the possible exception of Douglas Mitchell), until Ray Winstone made the role his own in 1984's Robin of Sherwood. Winstone's Will wasn't just angry, he was almost psychopathic with rage at the murder of his wife, a man described as being "scarlet inside", and there's no-one better at playing the small screen hard man than Ray Winstone. Thankfully when the BBC scripted its new version of Robin Hood they avoided trying to compete with Winstone's definitive version (which even Christian Slater could not do), and also avoided slipping back into the old concept of a man dressed in rich fabrics (which not everyone did).
The BBC remained true to some of the original concepts about Will, in as much as circumstances led him to steal and become an outlaw before Robin himself, and I for one much prefer this return to Will Scarlet being someone Robin Hood meets at the point of becoming an outlaw rather then him be a previous long time friend or servant (the role now taken by Much). Harry Lloyd's Will looks up to Robin Hood as someone he has admired for a long time. Even before Robin left for the Crusades it seems his ability with the long bow had made him a local legend with the younger boys and men. Indeed, when Will is arrested in episode 1, he always believes Robin won't let him hang. (He was almost proved wrong!) Harry Lloyd, two years younger than Jonas Armstrong, conveys this sense of loyalty and "hero worship" really well, as he does his innocence and youth. (Note the scene in episode 5 when he sees Djaq topless and soon after declares his love for her). It's refreshing to have a younger-than-Robin Will Scarlet, and Harry Lloyd undeniably has a charismatic presence on screen which has brought many admirers and devoted fan sites. He is really well cast as this inexperienced, young version of the outlaw who is not yet the man.
What we need to see now is a "Harry episode", a story which will require more of his character, in the same way that Gordon Kennedy did in episode 11 when defending his son, and Joe Armstrong in episode 7 when he lost his brother. Will Scarlet, as he stands at present in this new BBC version, is still an unknown character, seemingly content with his lot. But as he matures into manhood in Sherwood Forest what is he thinking inside? Does he think about his late mother? Does he miss home, and feel anger at the way he was treated by the Sheriff? Does he really have a crush on Djaq? We saw the tears at Marian's bedside, but will we ever see the scarlet inside rise to the surface?
To see the church wall against which Will Scarlet was buried click here. To see the stone marker which commemorates the fact Will remains buried somewhere within this graveyard click here.

Next week: Anjali Jay

Robin Hood. Spotlight on the cast 5: Gordon Kennedy.

2007-02-03T19:12:00.000Z

For long centuries everyone has known that Little John was Robin Hood's best friend and second in command. A giant of a man, his real name was John Little, which the outlaws themselves switched around when he joined them in the forest. John was an excellent archer, but his preferred weapon was the quarter staff; a brave choice of weapon which necessitated close combat against metal swords, but a choice made perhaps from poverty.
Little John's first encounter with Robin Hood on the bridge, where neither man would give way, is probably the most famous of all the tales of Robin Hood, so much so that the statue that stands today outside the Sherwood Forest Visitor's Centre still commemorates their good natured fight. And yet, if one looks through the various filmed versions of Robin Hood, it is surprising just how few of them make Little John such a prominent character. More often than not he has to take second place to Will Scarlet, and sometimes even less than that.
The notable exception of course was Archie Duncan in the long running and hugely successful 1950's television series. Duncan encapsulated everything Little John was meant to be: Gruff voiced, quick tempered, stubborn, but inwardly as gentle and shy as a lamb. Indeed the general public’s identification of Duncan with his screen persona was forever consolidated when he saved a group of children from falling scenery on the set of Robin Hood, sustaining injuries in the process. (A stand-in actor had to be used for a few subsequent shows). Archie Duncan's version of Little John still casts a long shadow. David Morrissey and Clive Mantle were both good, but no-one came close to capturing the essence of the character like Duncan did - until Gordon Kennedy in episode 11 of the BBC's Robin Hood.
Unlike a lot of the cast we all knew what a fine actor Gordon Kennedy was from his previous work. So, for him to be given such an important role, and then have relatively little to do for 10 episodes, was frustrating for Little John fans to watch. But all that changed with his tour de force performance in "Dead Man Walking"; here was the giant bear of a man, reduced to tears in the Sheriff of Nottingham's dungeon whilst talking to the son who doesn't know who he is, then later tearing the Sheriff's timbers and chains from his neck in protection of both that son and the woman who no longer loves him. Little John may not have been given much to say in previous of the series’ scripts, but he seizes the opportunity this one presents in both giant hands and expresses much more about the feelings of the oppressed in those times, and how they became outlawed, than many other similar tales put together.
Yes I'm still very critical of the BBC's decision to omit the famous encounter on the bridge, (and if you're reading this BBC, which I know you do, it's not too late to work that scene back in! It doesn't have to be their first encounter); and yes it is hard to give an extensive review of an actor's performance when so much of his time has been spent in the background. But, when one considers how much screen time other Little John's were allotted, just how many had the emotional impact Gordon Kennedy had in that one episode?

Next week: Harry Lloyd.

Robin Hood. Spotlight on the cast 4: Sam Troughton.

2007-01-27T14:31:00.000Z

Ask any Robin Hood fan about the opening scenes of their favourite film, and whether their preference is for Greene or Flynn, Costner or Bergin, Praed or Armstrong, they will tell you it involves Robin of Loxley coming to the aid of a poacher and thereby losing his knighthood to become Robin Hood. And according to legend that poacher was Much; sometimes Much the Miller, sometimes a young boy, Much the Miller's son. So Much is a very significant part of the legend, a symbol of all the poor Saxons of England, and thereby the person Robin of Loxley is willing to sacrifice every thing to defend. But because he is more of a symbol than an individual character, he usually disappears from the story after that point, with the notable exception of Peter Llewellyn Williams in Robin of Sherwood, where he joins the outlaws for the entire series.
When the BBC changed that poacher to Alan A' Dale, and changed Much to Robin Hood's right hand man (a role always associated with Little John, or sometimes Will Scarlet), I had very serious reservations. It seemed they were tampering with the legend just for the sake of it. But I was proved wrong.
In giving Robin Hood a less macho friend than Little John the series has been able to explore many issues which were hitherto not possible: The close friendship between two fellow soldiers returning from the horrors of war; the class divide and loyalties between servant and master; the natural jealousies that arise when friends are shared. In this new version of Robin Hood, Much has been the glue which has held the outlaws together, and Sam Troughton the actor who has practically stolen the show with the impressive range of his performance. Favourite small moments which come to mind would include the tears in the bath tub at the relief of being home and the memories of war (episode 1), the taunting of the outlaws when he mistakenly thinks it safe to do so (episode 2), his look of jealousy when Robin kisses the girl (episode 6), his shy and gentlemanly ways when sharing the bathtubs with a woman (episode 9), the deathbed scenes over Marian's body when Djaq suddenly starts thumping Marian's chest trying to revive her (episode 12), the terrible moment when Robin attacks him verbally in episode 13, only later to be the only outlaw to go and fetch their leader. It seems in practically every episode Sam Troughton has had the ability (and opportunity) to either make us laugh or cry. Before episode 9 there was a lot of debate over whether this version of Much was gay. That may still be a possibility, and it wouldn't be a bad thing if he was. For example, Willow in Buffy the Vampire Slayer provided an excellent positive role model as a gay character. But we don't need to know for sure. It's good to have a bit of speculation in the series.
This BBC version of Robin Hood has made two notable innovations to the series, both of which are likely to influence future films: The Night Watchman, and the promotion of Much to centre stage. Sam Troughton may not garner the same kind of female orientated fan base that certain other members of the cast do, but his performance in delivering his character has been consistently outstanding. Comparisons with previous versions are not relevant because it is such a new interpretation, but he would have certainly come out on top.

Next week: Gordon Kennedy.

Robin Hood. Spotlight on the cast 3: Richard Armitage.

2007-01-18T23:39:00.000Z

Guy of Gisborne (also spelt Gisbourne or Gisburne), is one of the most interesting characters in the tales of Robin Hood; a character whose "now you see me now you don't" appearances merit some documentation. Originally Gisborne was a just a bounty hunter dressed in animal skins who Robin Hood met in the forest, fought, and decapitated. It could all have ended there, if not for that splendidly villainous name "Guy of Gisbourne", rich with alliteration which rolled from the tongue as ballads were passed around. And so it was that Guy eventually became Sir Guy, a bad knight to counterbalance Robin of Loxley's good. But never in the stories did Guy of Gisborne ever rival the Sheriff of Nottingham as Robin Hood's arch enemy, until Hollywood came along.
The first Robin Hood blockbuster of 1922 relegated the Sheriff to a simple clerk whilst elevating Guy to the status of Robin's number one villain, lusting after Marian and attempting to assassinate King Richard in the Holy Lands. (All sound familiar? Yes folks, if the BBC watched just one Robin Hood film they certainly watched this one). That film proved so successful that it became the role model for Errol Flynn's subsequent 1938 version, in which the Sheriff is once again sidelined in favour of a Gisborne portrayed by Flynn's real life friend and hell raising drinking buddy, Basil Rathbone. The climactic duel between them is a part of Hollywood legend, and Rathbone's splendidly "camp" performance has influenced all the best Robin Hood villains which followed. How ironic then that they would all be Sheriffs: Alan Wheatley (1950s), Alan Rickman (Prince of Thieves), and Keith Allen (Robin Hood 2006), all have a bit of Rathbone about them.
Guy of Gisborne then disappeared from Robin Hood filmdom for almost 50 years before being catapulted back into the public imagination by Robert Addie's definitive portrayal in 1984's Robin of Sherwood. Addie didn't attempt to emulate the slightly pantomime style now associated with the Sheriff, but instead came on strong as a scary, ruthlessly driven, even psychopathic villain. When that blonde haired blue eyed Guy spat out the words "Wolfs head" or "Saxon", whilst trying to dislodge and replace the equally villainous Sheriff from his position of authority, the supposed "master race" references were unmistakable. But most importantly, Addie's tantrums and arguments with the Sheriff still provided a sense of relief and humour against which to balance those characteristics.
In my opinion Guy of Gisborne as he appears in the BBC's 2006 version of Robin Hood, lacks clarity, definition, and this sense of balance. Having opened up so many possibilities which culminated in the emotional (and disturbing) balcony scene of episode 7, in the end he is little more than the two dimensional character of 1922. And, before the Armitage Army string me up in the forest, this is not a criticism of Richard Armitage who is obviously a talented actor. I'd love to see him play Byron or Heathcliffe, where the perceived villain of the piece is in the end the romantic hero. And am I the only person who thinks Bond would be a great role? He has all the attributes of young Connery in the early sixties; that combination of ruthless and romance. (He even looks like the Bond in the books). I know a lot of fans are imagining Armitage's Guy is a romantic heroic type, who only has to sweep Marian into his arms for her to see the error of her ways, but that's wishful thinking and not what's actually been on our screens.
The BBC's version of Gisborne is impressively dressed in classic bad guy style; a combination of Darth Vader and S.S. trench coat. He is an avid admirer and pupil of the Sheriff, equally as happy to witness him cutting either tongues or Marian's hair, whilst his favoured methods of killing are up close, bloody, and sneaky. He is constantly teased, ridiculed and duped by the Sheriff, whether it is lies about the King's return or a bottle of acid to the arm, but he never shows sign of revolt. Neither is he a man capable of tender emotions. When a silk scarf fails to buy Marian's affections he simply ups the "bribe" to a pony. His desire for Marian manifests itself as abusive, threatening that her father's life will be endangered if she refuses to marry him, and when he first attempts to kiss her in episode 11, or indeed succeeds in episode 13, Marian's reaction is that of a teenage girl upset by the unwelcome physical attentions of an older man.
Does this all sound like a really evil villain? Yes, absolutely! But is the character to have no "saving graces" in the name of entertainment? Even canary crusher Keith Allen gets to make us smile when he looses a tooth or gets hung upside down from a rope. There have been so many lost opportunities to develop a fuller character for Gisborne: The baby in Kirklees Abbey which is apparently his; the fact he has TWICE stabbed the girl he lusts after (once on the eve of their wedding night). How would he really feel if he suspected that? As it stands I think he'd simply kill her. Maybe now that his men have seen her gallop off with Robin Hood that's exactly what will happen. As stated, I think ultimately this BBC version of Gisborne has explored the character little more than the silent movie version of Paul Dickey, and as the years go by will fail to dislodge Rathbone or Addie from their thrones. I stand to be proved wrong. Richard Armitage is a fine actor, and there is much potential in the loose ends of these episodes to be explored.

Next week: Sam Troughton

Robin Hood picture gallery 16

2007-01-13T21:37:00.001Z

Above: Will any of the men in Marian's life understand her and accept her for who she is?

Above: Jonas, Joe and Harry have certainly proved a hit with the teenage audience.

Above: Will we get to see the Night Watchman working alongside the outlaws next year?

Robin Hood. Spotlight on the Cast 2: Lucy Griffiths

2007-01-13T14:40:00.000Z

Prior to Robin Hood being broadcast Lucy Griffiths was keen to point out that her Maid Marian was not going to be a "damsel in distress". What she didn't realise was that Marian has never been just a damsel in need of rescuing. Maid Marian was a combination of English Rose, and original Spice Girl. But it is true that the tales of Robin Hood give so many conflicting versions of Marian (and that differing film versions have only ever selected small details from these), that it has become difficult to bring the whole person into focus. However, one can edit all these various accounts down to a now commonly accepted portrait, and see just how Lucy Griffiths provided such a fine portrayal of the role.
As the title "maid" suggests, Marian was in inexperienced girl, very much of the people and for the people. America's Hollywood got it totally wrong when they escalated her status to that of an aristocratic Lady. In that respect Mary Elizabeth Mastrantonio's awful portrayal of Marian in Prince of Thieves, and Olivia de Haviland's faintly ludicrous parade of exotic gowns in the Adventures of Robin Hood, both fell wide of the mark. Joan Rice helped restore credibility to America's vision of Robin Hood's mate when she donned the Lincoln Green herself to romp alongside the outlaws through Sherwood, but far better still was Patricia Driscoll's British T.V. version of 1957. Here was a Marian who was not only an expert archer and spy, but also a ruthless protector of the Saxon peasantry, more than willing to hold a dagger to the throat of anyone threatening her man, whilst at the same time beguiling the Sheriff of Nottingham with her charms and keeping secret her links to the outlaws. Later versions of note would include Judi Trott, who actually lived in the forest as a known outlaw with Robin Hood and his men, and Uma Thurman who dressed as a boy to find out more about the man in the hood; (a personal favourite and easily the best non-television Maid Marian of all time). And so you can see, "damsel in distress" is just not what Maid Marian has ever been about.
19 year old Lucy Griffiths successfully portrayed a credible background to the Marian character: An inexperienced girl whose position in life was raised by the election of her father to the status of Sheriff, but who never forgot her roots among the less privileged people she strives to help. Lucy's Marian is also a girl who's first love went off to war leaving not just her behind, but an England increasingly divided in the King's absence by Norman influences; something neither she nor the common people around her would ever fully accept or understand. Lucy did an excellent job of expressing this confusion and unrest, especially during her confrontations with Jonas, where she tries to find justification for his actions in joining the Crusades when so many at home needed him (including her). This questioning attitude is also well expressed in her "generation gap" arguments with her father whom she clearly respects and seeks to defend, even though his "old school" anti-feminist attitudes attempt to suppress her. (One can't help but feel that her father really wants her to marry Guy and settle down on the winning side of the privileged classes). But not only is Lucy’s acting so convincing in this respect, so is her whole screen presence; she seeks not to be glamorous, but simply the "good looking girl next door", exuding a very strong physical presence, rather than the token girlie. This of course has been essential in developing the main innovation the BBC have brought to the series, that of her "secret identity the Night Watchman. Lucy has succeeded in this challenge because she is able to convey how the Night Watchman is first and foremost an expression of Marian’s own conscience and concern for the suffering peasantry, only resorting to fighting when absolutely necessary. And what a fighter! Whilst, during the 1980's, Judi Trott remained fairly swan like and elegant in the midst of battle, one gets the feeling that if Lucy punched you you'd certainly know about it! (I think she could even take Djaq in a straight fight!)

Where criticisms have been directed at this BBC version of Maid Marian they have mostly centred on her "Top Shop" style wardrobe. But that criticism can also be levelled at Guy "the Matrix" Gisborne, or Sheriff of "silk pyjamas" Nottingham, or even Little "have you seen my Harley Davison anywhere?" John! At the end of the day the "Lucy Look" became an entertaining and popular aspect of the series, and something which never distracted from her acting. A lot has been written about her emotional scenes with Jonas, and rightly so, but I would also draw attention to her encounters with Keith Allen. Although much briefer on screen, Lucy's facial expressions subtly convey a sense of genuine fear at the Sheriff's presence. (And where Keith Allen is concerned who can blame her?) The writers gave Maid Marian more opportunities to shine than any of the rest of the cast during series one, and Lucy Griffiths was not found lacking. As with Jonas Armstrong, her character incorporates many themes which have been explored before in Robin Hood filmdom, but she has still made the role her own and I would rank her alongside Patricia Driscoll and Uma Thurman as one of the three best Maid Marians of all time.

To see the place where the real Maid Marian lived click here.

Next week: Richard Armitage.

Robin Hood. Spotlight on the cast 1 : Jonas Armstrong.

2007-01-07T00:29:00.001Z

Jonas Armstrong was 25 years old when filming the first series of Robin Hood. He was not the youngest Robin Hood ever (Michael Praed was 24), but his youthful appearance was certainly in keeping with the role. Those Robin Hood fans who prefer an older Robin, such as Kevin Costner (36), Errol Flynn (29), or Richard Greene (37), should bare in mind that the average life expectancy for a man in those days was only about 30, and that a Knight who could survive even two years in the Crusades was very rare indeed.
At the start of the 2006 version of Robin Hood the BBC borrowed as much from previous traditions as it infused from the contemporary. For example, Jonas's small beard is perfectly in keeping with descriptions of Robin Hood in the old ballads, and his acrobatic displays when swinging across the Castle courtyard, or jumping from balconies, is very like the classic Hollywood versions of the hero made famous by Flynn and Fairbanks. (Jonas has a cetificate in stage combat!) But what was so very refreshing about Jonas was his broad accent. Born in Ireland, raised in Lancashire, his accent made our Nottingham hero much more believable to today's audience than the somewhat "educated English" tones of previous actors; or worst still the undisguised American accents of others.
But what Jonas Armstrong will most be remembered for was the range of emotions he was required to bring to the part. We've seen many love scenes in previous Robin Hood films, but not the "first love" quarrels and sulks that he and Lucy Griffiths so convincingly enacted, and certainly never a Robin Hood moved to tears. In those scenes where Marian was believed dead, and later doomed to a marriage with Guy of Gisborne, Jonas’s emotional displays gave our hero a dimension not seen before.

If I have any criticisms of the Jonas Robin it would be these, (and neither of them are to do with the actor himself): Robin Hood would never have used an inferior Saracen bow. I know when I first saw that bow I thought it was a good idea in as much as it was a symbol of his respect for his former enemy, and regret at what happened in the Crusades. I thought that if we weren't going to get a Saracen outlaw, then the bow was a good substitute. But Djaq later fulfilled that role. Before gunpowder the English long bow was one of the most powerful weapons in the world. Archers would design their arrows especially to suit different needs; they could pierce chain mail, or bring down a fully grown deer. Robin Hood and the English long bow are inseparable, and I do now agree with those critics who say the BBC was just trying to be politically correct. I also think Jonas's wardrobe in the early episodes was a bit small. Yes, Robin got his name because he was "the man in the hood", but am I the only one who thought that first "hoody" was a size or two too small? In the later episodes he looked fabulous.

I regard Jonas Armstrong as being amongst the best three Robin Hoods of all time (the other two being Michael Praed and Richard Greene), and it will be really interesting to see how all the experience both he and the BBC have gained during series one will be put to use next year. For whole new generations of television viewers, Jonas Armstrong will no doubt always be Robin Hood.

Next week: Lucy Griffiths.

Robin Hood picture gallery 15

2007-01-06T13:44:00.001Z

Robin Hood. Episode 13 . A Clue: No.

2006-12-30T22:17:00.001Z

The story: A gloating Sheriff of Nottingham, Gisborne, and his men, approach the cave concealing Robin Hood and the body of Maid Marian. Feeling he now has nothing to lose, Robin attacks them and several arrows find their deadly mark. The Sheriff loses a tooth in the process, a humorous aside no doubt inspired by the real life event in which Richard Armitage knocked out Keith Allen's tooth during rehearsals. As the outlaws run out of arrows, Will Scarlet and Alan A’ Dale turn up to rejoin their number, and all draw swords to attack. "It is a good day to die", says Little John, but his fears are unfounded when the Sheriff's men run away.
Returning to the cave they begin to pay their personal respects over Marian’s lifeless body, until Alan realises she is in fact still breathing. Djaq recognises the symptom of hemlock poisining, as Marian awakens from her coma before being carried back to Knighton Hall. Marian's father, Sir Edward, has markedly less concern for his daughter than he does the returning King Richard, and tries to persuade Robin Hood to accompany him to Nottingham to protect the King, even though it means letting Marian marry Gisborne. Indeed he is adamant that Robin should "let her go" unless he has a foolproof plan to save her. Robin departs to think things through alone, only to have Much approach him with the same sentiments as Sir Edward, that he should let Marian go. Robin's sarcastic response directed at Much is vicious, and Much soon leaves him alone.
What none of them know is that King Richard is not returning to England. It is all just a ruse by the Sheriff to see who is likely to betray him if such an event took place. The Sheriff plans on killing those disloyal to him, and informs Guy of his plan. Of course Guy is disappointed because it changes the conditions by which Marian agreed to marriage. Marian goes to see Guy and asks him if the rumours about him attempting to assassinate the King whilst in the Holy Lands are true. He denies it and, his passions aroused, attempts a kiss. Later, when Robin Hood visits Marian, she tells him she has spoken to Guy and that she feels Robin might be wrong about him. (A statement this reviewer at least found totally incredulous bearing in mind recent events!) She also tells Robin it is time to say goodbye, and that she intends marrying Guy, at which point Robin leaves. Meanwhile Marian's father is gathering a small force together to protect the King he believes bound for Nottingham, and the outlaws join him but without Robin. It falls to the loyal Much to realise they really need their leader, and to go in search of him. When he does so he comes across the Royal procession bound for Nottingham and realises that all is not well.
On the day of the wedding Marian arrives at the church looking beautiful in her Nottingham Lace bridal veil. Her father of course is not present, and Marian herself has to instruct Guy on the proper etiquette of where to stand. During the ceremony Much arrives, shouting out that her heart belongs to another, and that the King is not really the King. This off course negates her promise to Guy, but he threatens her that if she does not go through with the ceremony her father will be in danger. Marian finally changes her mind with a well aimed punch to Guy's jaw, before leaping onto the back of Robin Hood's horse and riding towards the Castle, gleafully tossing her wedding veil to the dust. Upon reaching the gates of Nottingham Castle Robin Hood calls Maid Marian to his side and forever seals their fate as history's great lovers with a kiss. This is not just a kiss fired by their love for each over, it is also an act of heroic defiance, a symbol of their united stance against all the injustices which plague their England, and as such I would suggest to Robin Hood fans everywhere that this moment between Jonas Armstrong and Lucy Grifiths is unparalleled throughout Robin Hood filmdom.
Comment: Bearing in mind that the BBC didn't know for sure at this point whether a second series would prove popular, I thought this a really good ending to the series. Yes I was a little disappointed at the speed of Marian's recovery, which seemed a bit anti-climatic after last week's heart wrenching scenes, and yes my jaw dropped about a mile when she was prepared to believe Guy was misunderstood. (That bit beggared belief!) But the final scenes, as Robin swept her away on horseback, more than made up for it. Maid Marian cannot now go back. Everyone saw her being rescued by Robin Hood. Guy of Gisborne knows this. Everyone saw the kiss. If the BBC now try and have her living with her father back at Knighton Hall it will just be ridiculous. I also really liked the scene between Much and Robin when Robin was so mean to him. When this series first began I didn't like the fact that Little John was not Robin Hood's second in command, which of course he was in real life. But now I see how it has opened up such opportunities as this in which to explore the emotions and humour between such close friends. That wouldn't have been possible with a character like little John. Good episode. Beautiful wedding dress, shame about the father…

MORE PICTURES DURING THE WEEK, HOODIES.

Robin Hood picture gallery 14

2006-12-29T13:52:00.001Z

Robin Hood 2006 picture gallery 13

2006-12-26T15:59:00.002Z

Below: Late at night when you're sleepin' the Night Watchman comes a'creepin' around...

Robin Hood. Episode 12. The King's Return.

2006-12-24T11:47:00.001Z

The Story: Inside Nottingham Castle the Sheriff is playing with his canaries, using the metaphor of a beautiful bird in a cage to tease Gisborne about his relationship with Marian. But he has much more important news to tease Gisborne with than this, for King Richard is about to return to England and pass through Nottingham. The news spreads quickly and Will relays it to the rest of the outlaws back at the cave. Much is ecstatic, and cannot wait to return to a former life of comparative luxury. But the other outlaws are more reserved. They know that the King's return may well make them free men, but they'll still be poor. And furthermore, they know of Marian's promise to marry Gisborne upon King Richard's return, and are mindful of Robin's obvious unrest. But Gisborne wastes no time in organising the wedding, and even takes Marian to Loxley Manor to see the bedroom he has refurbished for them.
Later on Robin Hood goes to see Marian, trying to persuade her that he can prove Gisborne attempted to assassinate the King in the Holy lands, but Gisborne’s alibi of being ill at home is clearly going to prove difficult to disprove. Also, Marian feels she must go through with her promise for the sake of protecting her aging father. Inevitably they end up arguing, and Robin leaves to try and find proof of Gisborne's guilt. Marian tells her father she has plans of her own before the marriage: Her words take on an ominous tone about the Night Watchman planning one final fling....

Robin and the outlaws go into Nottingham. The conversation between Alan and Will is turning more and more to what the future holds for them as free men, and they will decide to leave Robin before the day is done. Robin, Djaq and Little John pay a visit to Gisborne's doctor, and get him to confess that Gisborne was never at home ill during the time Robin saw him in the Holy Lands. Robin now thinks he has the proof he will need to stop the wedding, and goes to inform Marian, but she is not at home. The Night Watchman has gone to Loxley Manor for a "final fling": The theft of Gisborne's money. But when Gisborne is alerted to the her presence he traps her in the bedroom!What then follows is a frightening encounter between Gisborne, wielding his axe and trying to cut through the door, and the Night Watchman cornered inside. Robin Hood appears just in time to stop him, and so she thinks it safe to leave the bedroom. Whilst passing Gisborne on the stairs she cannot resist pushing him to one side. Gisborne lashes out with what appears to be a punch, but after the outlaws have departed his hand reveals a small Saracen dagger, its blade covered in the Night Watchman's blood!

Back at the cave Robin no sooner gets chance to inform Marian about Gisborne's doctor when she faints from the loss of blood. Djaq treats her wound as best she can, and when Marian recovers consciousness all seems well. Of course Marian and Robin begin a fierce argument once more. Robin accuses Marian of actually liking Guy. Marian tells Robin the Night Watchman is more intelligent than Robin Hood. Robin tells her to stick to her embroidery! Neither of them mean it; their words are simply the product of fear and upset for what has happened. The scene becomes even more sinister as Marian's condition suddenly worsens, and Djaq is forced to operate to stop the internal bleeding. Knowing she is close to death Marian and Robin make their peace, teasing each other good naturedly before he has to hold her down as Djaq's blade goes in and Marian's screams echo throughout the cave.

The operation goes badly, and Robin is forced to fetch Gisborne's doctor. But the doctor tricks him, leaving a trail for the Sheriff's men to follow back to the cave. Robin realises this too late, and cannot leave Marian's side. So with only Djaq, Little John and Much still at his side, he prepares to make one last stand. At that point a gloating doctor tells him Marian is dead. Crying, Robin takes her lifeless body in his arms saying "I love you Marian, I love you". Outside the Sheriff's voice begins taunting him, and it is a very angry Robin who rises to face the ambush outside.....

Comment: A classic. There were just too many highlights to pick only a few. But I loved Djaq's blunt bedside manner - even going so far as slapping Marian across the face to bring her round. Also Much's upset whilst attempting to help Djaq, and being horrified at the sight her thumping Marian's chest because he'd never witnessed heart massage before. When the situation is so stressful his humour works really well within the script, and he remains for me what he was at the start of the series - a favourite character. The scene where Guy and the Night Watchman are each side of a door with an axe between them was also gripping. Not quite what he was planning for his wedding night. Excellent. Full marks. But so very, very sad...

Robin Hood series one picture gallery 11

2006-12-22T19:20:00.002Z

Robin Hood. Episode 11. Dead Man Walking.

2006-12-17T17:09:00.001Z

The Story: Whilst ruthlessly collecting taxes, Guy of Gisborne discovers a concealed supply of Saracen designed bows, obviously intended for Robin Hood. He arrests the bow maker responsible, together with his boy accomplice, not knowing it is actually Little John's son. Before Gisborne's men can reach Nottingham, Little John makes a foolhardy rescue attempt, but is overcome.
Will Scarlet and Alan A ' Dale are in Nottingham distributing coins among the poor, and see Little John in chains. Marian also sees John amongst a group of other prisoners, and tries to speak to the Sheriff of Nottingham and Guy about the unfair nature of the taxes. It is noticeable that although she can find the courage to deal with Guy, the mere presence of the Sheriff makes her very nervous indeed, and with good reason. There has never been a Sheriff of Nottingham quite as ruthless as Keith Allen, who soon decides to torture the bow maker unless he agrees to make more Saracen bows for his soldiers, and devises a Festival of Pain to ensure the people of Nottingham are more prompt with taxes in the future.

Little John is thrown into the dungeon next to his son, who sadly only remembers him as the giant he once met in the forest. (Episode 1). He doesn't know John is his father. Later on, when the boy's mother, is also thrown into the same cell, she denies knowing John and refuses to believe he left her for such a noble cause as becoming one of Robin Hood's men. These scenes are a welcome turn of events for Gordon Kennedy admirers like me, who have long since complained at how the producers have confined his Little John to a silent background extra.

To rescue John, Robin Hood and Alan A ' Dale disguise themselves as soldiers. This provides an opportunity for some well placed humour when they find themselves being ordered around by Guy of Gisborne, who fails to recognise them. This even leads to Robin gaining access to Marian's room, shortly after witnessing Guy attempting to kiss her; a kiss from which he was rejected. Marian is clearly thrilled to see Robin, and drops a strong hint about waiting too long for someone. She also informs him about a revenue wagon destined to leave Nottingham, and Robin determines to expand his plan to not only rescue John, but also steal the revenue.The story's genuinely thrilling climax involves the Sheriff's Festival of Fun as he begins to unveil a plethora of torture devices and red hot cinders. As the tension mounts Little John's anger combines with his mighty strength to shatter the huge oak stocks that were shackled about his neck. Robin Hood also appears on the balcony, throwing down the coins from the revenue wagon onto the soldiers below, causing chaos as they dive for the gold. But Little John is beside himself with rage, pinning the Sheriff to the ground, and raising his dagger high...

Comment: A great episode, which saw the whole cast being given much more to do than stand through a series of stock poses before the camera lens. Gordon Kennedy as Little John displays what the character really could and should have been from the very start, had the producers kept closer to those stories entrenched in the original legend. The humour was also very cleverly placed, providing a counter balance to the emotional roller coaster within Little John's family scenes. This was easily Gordon Kennedy's episode, and not before time, but mention must be made of Keith Allen. Although Allen is not going to win the hearts of the teenage audience who watch the series more for Jonas and Harry, this great actor has been superb from episode one. He understands exactly just how far he can go as the most evil Sheriff of all time, before slipping back into an almost (never quite) pantomime delivery. Excellent.

Robin Hood picture gallery 10

2006-12-16T18:14:00.001Z

Robin Hood. Episode 10: "Peace? Off!"

2006-12-09T21:26:00.001Z

Story: So, This soldier arrives in Sherwood Forest apparently wearing 21st century British Army battle fatigues. He's come from Iraq, sorry the Crusades, and he's not best pleased 'cos somebody's tattooed his chest. (Soldiers tend to do that when they get drunk). In fact he's so angry he's setting fire to Christian churches, and Robin has to rescue him. The outlaws call him Harold, and lock him up until they can find a way to appease his anger.

Later on they come across a wagon in the forest containing a grotesque mask, which they assume to belong to a sorcerer. When Harold catches sight of the mask he goes wild and attempts to slit Djaq's throat, which is good news for Gordon Kennedy because at last it gives him something to do - throw a rock at the back of Harold's head, and later carve a cross on a tree for good measure. Robin determines he must trace the source of this rage in Harold, and sends Will to find out who the owner of the mask and wagon is. (Not for the first time in the series he will later send someone else to do exactly the same task, in this case Marian.) When he goes to ask this favour of Marian she is beaming from head to toe over the gift she has received from Guy of Gisborne. Guy had been moping about, and the Sheriff had told him any woman can be bought with an exotic gift. Guy indeed reveals some understanding of Marian's character and, instead of repeating earlier mistakes and buying her trinkets, he gets her a horse. The Night Watchman's ideals are for the moment at least thrown aside, and there's no disguising her obvious pleasure.

Meanwhile, back at the Castle, the owner of the mask turns out to be a Saracen prince, and a guest of the Sheriff of Nottingham. He believes he is there to give Prince John a peace offering to end the Holy Wars. The Sheriff believes he is holding him prisoner until a ransom arrives. (Oh boy are they both in for a surprise.) The peace offering the Prince has in mind is the grotesque mask, which happens to be an acupuncture devise and not at all an instrument for raising the Devil, like those silly Anglo Saxon outlaws would have you believe. However, when the Prince goes to retrieve the mask from the forest he is captured by Robin Hood.

When Djaq recognises the Saracen as an important prince, Robin realises a ransom must be on the way. They don't have to wait long before Pans People turn up, suitably attired for the panto season in ice blue flared Lycra, and a treasure chest. Djaq seems alarmed at their appearance, but the boys are expecting entertainment. "Is it 'cos I'm a girl that you won't listen to me", Djaq says, taking her gags from Ali G. But Robin doesn't have time to answer before the elegantly synchronised martial arts display gets under way. The humour reaches a climax back at the Castle, as Robin and the Sheriff stand back to back against the nimble ninja onslaught. Lucky for them Tattooed Harold arrives just in the nick of time...

Comment: Absolutely hilarious. Sometimes intentionally so. But look on the bright side, it could have been "Robin Hood Men in Tights" (the only film I refuse to review on the main Robin Hood blog).

Robin Hood 2006 picture gallery 9

2006-12-03T18:38:00.001Z

Whilst hiding in the forest, Will Scarlet (Harry Lloyd) takes the opportunity to get a little closer to Djaq (Anjali Jay).

Above: Gisborne's tattoo betrays his dark secret as a paid assassin who tried to kill King Richard.

Difficult courtships in Sherwood Forest...

2006-12-03T10:32:00.001Z

Robin Hood consoles a distressed Maid Marian.

Guy of Gisborne; a ruthless man, but so gullible...

Much is caught between his fight against the Sheriff of Nottingham and his increasing affection for the Sheriff's spy.

Robin and Marian return to camp, hand in hand for the first time, and looking a little apprehensive at how others might react.

Robin Hood. Episode 9: A Thing Or Two About Loyalty...

2006-12-02T22:30:00.001Z

...also known as "That Poor Mine Shaft Gets It Again!"
Story: Gisborne is demonstrating to the Sheriff and Marian his friend Lambert's new discovery Black Powder, by blowing up that rather familiar mine shaft from episodes 5 and 8. This Black Powder is also known as Greek Fire, a title which later angers Djaq because she says the Saracens had discovered it independent of the Greeks but are never credited with having the intelligence. When the Sheriff sees the power of the Black Powder he of course sees its possibilities as a weapon. Lambert grows concerned and reneges on his deal with Gisborne to hand over the formula, only to find himself thrown in the dungeon. Robin Hood becomes concerned that the formula will end up in the hands of the Sheriff, and so Much volunteers to get arrested, with a key secreted about his person, so he can rescue Lambert. But Much's plan is interrupted and he is brought before the Sheriff of Nottingham.
For reasons which neither Guy of Gisborne nor this blogger fully understand, the Sheriff makes Much an Earl. It would appear he hopes to manipulate him when he is placed on the local council, and to this end he gives Much a Manor to live in, but with a girl to spy on him. When Robin Hood and the outlaws see Much leaving in a grand carriage Robin decides to enter the Castle himself, and succeeds in learning from Lambert where his formula is kept. Still with me so far Hoodies? It is a bit confusing, and no I don't know why Robin just didn't go get the formula in the first place.
The Sheriff also dismisses Guy from the Greek Fire project, believing he has been too soft on his friend. Marian sees Guy is upset by this turn of events, and easily manipulates him into trying to send Lambert to Kirklees so his confidence in Guy might be restored and he will more readily give up the secret. Marian means well, hoping to save Lambert’s life, but she is out of her depth where the Sheriff's scheming is concerned. When Marian tells Robin of her plan to have Guy take Lambert to Kirklees he is openly jealous of the fact she has been scheming with Guy, no matter what her reason. But by now it is all academic anyway, because the Sheriff has learned Lambert has told Robin where to find the formula, and kills him as a result. The news of Lambert's murder distresses Marian, who rides into Robin's camp and (at last) finds the comfort of his arms and a shoulder to cry upon. When Robin and Marian later rejoin the rest of the outlaws they are walking hand in hand... (Hmmm).

But what about Lord Much? Well, he's also doing rather well for himself in adjacent bath tubs with the girl who is working as the Sheriff’s spy. Much and the girl have clearly developed strong feelings for each other, and she so she changes sides to cheat on the Sheriff and give him false information designed to lead him into a trap where Robin and his men are waiting. This trap culminates in quite a spectacular explosion as Robin's flaming arrows blow up the store of Black Powder in the cave before which Guy is standing!

Later, back at the camp, the debate over whether to burn the formula or not, is still in progress. Djaq thinks it should be preserved. Robin would seem to agree with her, and has felt that way throughout. But the majority want it burnt, and so into the fire it goes. Until everyone is distracted, at which point Djaq's hand, observed by Robin, deftly reaches between the flames...

Comment: Sometimes less is more. The idea of Much becoming an Earl was really good, giving Sam Troughton the chance to extend his unique humour into the series; and when that girl started getting ready to climb into the bath? Brilliant. But I really think Much merited this story on his own, without us having to go back and forth into poor Lambert's cell. And no doubt you all noticed Will getting rather close to Djaq whilst hiding in the bushes? And Marian showing some considerable courage in telling Guy she was disappointed by his weakness at not going through with their plot, and therefore the engagement is "back in the box". So, lots of good stuff to be had, but perhaps too much all mixed in at once? And please, lets leave that poor mine shaft alone now can we?

Robin Hood picture gallery 8

2006-11-26T17:57:00.001Z

Robin Hood's dilema; whether to rescue Djaq or murder Guy of Gisborne...

Give the Sheriff a bottle of acid and he'll happily play with Gisborne for hours...

There are also more Robin Hood 2006 images on the Robin Hood Pictures blog.

Robin Hood. Episode 8: "Tattoo? What tattoo?"

2006-11-25T23:03:00.001Z

Story: Not for the first time in the series Robin is once again plagued by a recurring nightmare in which he is attacked by a Saracen assassin whilst serving in the Crusades. The nightmare is the result of a real life incident when Robin was guarding the King, managed to fight off the assassin, and caught a glimpse of his distinctive tattoo in the process. He awakens to the news that Gisborne is celebrating the King's birthday in Loxley, and decides to go and interrupt the proceedings by robbing Guy's guests of their valuables, arriving just in time to see Gisborne announcing his engagement to Maid Marian. Troubled by his dream, the sight of the girl he loves wearing Gisborne’s ring, and the presence of strangers in his own rightful home, Robin is enraged and no longer thinking like the level headed leader he is. A fight with Gisborne ensues, during which he is shocked to see the tattoo on Gisborne’s arm that identifies him as the very assassin he encountered that night in the Holy Lands. As the Sheriff's carriage draws near out side, (I love that carriage!), Djaq desperately tries to bring Robin to his senses enough to escape. This he does, but Djaq is captured by the Sheriff, as Gisborne rides off in pursuit of the outlaw leader. Gisborne finds Robin in the forest, alone and waiting. There is only one thing now on his mind, to kill the treasonous Gisborne who had tried to assassinate the King. Indeed, when he refuses to listen to reason from the outlaws, the only thing which prevents him from committing the murder is a blow from Little John.

Meanwhile, back at the Castle, Djaq has tried to escape after pouring acid from a small phial she keeps about her neck, onto the prison bars. This alerts the Sheriff to her skills at what he assumes to be alchemy, and sets her to work in a laboratory to make more acid for him. What follows are further failed attempts by Djaq to escape, and similar failures by the outlaws to get Robin to come to his senses and help them rescue her. In one particularly emotional scene he even vents his anger on the faithful Much, who in turn tries to enlist the help of Marian. In what amounts to quite an intense, action packed episode, there are two amusing moments of brevity when Will Scarlet announces his love for Djaq to the gang, and when Marian learns that Djaq is a girl.

Ultimately of course Robin realises his priorities have been all wrong, and once again leads the outlaws on a successful mission. But what about Gisborne's tattoo? Won't that forever identify him as a traitor? Well, not if the Sheriff and his bottle of acid have anything to do with it...

Comment: This episode was very much about how some soldiers must feel returning from an unpopular war which in reality bankrupted England at the time. Robin might have expected a hero’s welcome. Instead, as Guy so rightly sneers, he's lost everything from his girl to his house to his title. I personally lost track of the number of times Djaq was going to fail to escape, or Gisborne was going to be tied up. (A bit repetitious!) But it was a good action packed episode, if less romantic than last week, and it laid a good foundation for future stories: How will Marian feel about Djaq being so readily accepted into the group when her own work as the Night Watchman hasn't been given similar respect by Robin? Does Djaq feel the same way about Will Scarlet? And just who was it that managed to dig out the mine shaft which had been blown up in episode 5 so it could be used again as an escape route in episode 8? More pictures in the week, Hoodies. Until then, see y'all next Saturday, same Hood time, same Hood channel.

Robin Hood picture gallery 7

2006-11-22T18:31:00.001Z

Robin Hood 2006 : Should there be a Friar Tuck? Vote now.

2006-11-21T11:24:00.001Z

As the BBC went into production on Robin Hood they announced their decision to drop the Friar Tuck character.

Friar Tuck was the most educated of the outlaws, certainly with the ability to read and a basic knowledge of the law. These skills were a great asset to the outlaws, and his religion also helped provide some spiritual counselling for the men. He quite probably had some medical training from his time in the Abbey. But he was also an excellent swordsman, almost the match of Robin himself. And yes it's true he had an insatiable appetite for good food and wine (and some say an eye for the ladies), together with a fiery temper. However, in spite of the BBC's claims, Friar Tuck was never an object of fun. He was both loved and respected, as all prior versions of the story show.

So, do you think series 2 should introduce a Friar? Or do you think, in this day and age, it's not appropriate? Or maybe you think it's just not necessary anyway? Simple vote. Yes or No.

Polls Now Closed. Result:

92% of you wanted to see a new Friar Tuck introduced to the series, and restored to his rightful place in the legend. BBC, are you listening?

Lucy Griffiths picture gallery

2006-11-19T15:18:00.002Z

Robin Hood fans are finding Lucy Griffiths and her wardrobe a topic of increasing fascination. Will Nottingham High Street shops be promoting the "Lucy Look" before long? Or is it true you can get most of this stuff from Top Shop already? Whatever... But there's no doubting the impact Lucy Griffiths has made in the role of Maid Marian.

Robin Hood. Episode 7: Brothers In Arms.

2006-11-18T22:47:00.001Z

Story: Robin Hood and his outlaws ambush a peddler, Lucky George, who unbeknown to them is working for the Sheriff of Nottingham. On their way back to camp they chance upon a group of people about to horse whip a thief. This thief turns out to be Alan A’ Dale’s brother and is admitted into the band. Meanwhile Lucky George has returned to Nottingham and told the Sheriff about the ambush in the forest. The Sheriff becomes convinced there must be a spy in the Castle, informing the outlaws about Lucky George's cargo. He instructs Gisborne to find out who it is.
Before going about this task Gisborne pays Marian a visit, and gives her a present of a necklace he has only just stolen from the neck of one of the girls on his Estate, (sentimental fool that he is.) Later, when Robin sees the necklace about Marian's neck he recognises it, and also becomes rather jealous of Gisborne's advances. Marian gives him the necklace so it can be returned to its rightful owner.
The following morning Alan's brother has gone missing from camp, taking the horses with him. It transpires that he is about to rob Marian and her father (not knowing who they are), and a fight ensues between him and the Night Watchman. This is a great scene, with Marian's father, usually completely disapproving of his daughter's masked activities, looking on in admiration as she struts her stuff with considerable panache. Robin Hood arrives during the heat of the battle, and resolves the situation. Marian tells him of a consignment of silver which is on its way through the forest; information she overheard whilst in Gisborne's company. When Robin intercepts the consignment it turns out to be a trick, intended to help the Sheriff flush out his spy. Gisborne is convinced the spy must be his sergeant, and tortures him to death whilst Marian listens with some guilt to his screams.
It seems Alan's brother will not heed the advice of the other outlaws, and once again sets out on his own to prove himself. In the process he is arrested and sentenced to hang. Of course the television audience, together with the peasants around the gallows, expect Robin Hood to turn up in the nick of time with his trick arrows and save the day. But Keith Allen's Sheriff is not that dumb. He's brought his personal entertainment forward by one hour...
When Gisborne sees the necklace has been returned to its original owner by Robin Hood he realises Marian must be the spy, and the Sheriff encourages him to go and enjoy himself there and then in punishing her. The final scenes which follow are then perhaps the best in the series so far. Marian is genuinely afraid of what Gisborne might do to her and her father, and tries frantically to bluff her way out of the situation. For one brief moment a happy ending seems possible as Robin climbs her balcony and, out of Gisborne's vision, passes her the necklace so she can prove her innocence. But Gisborne is not about to let his advantage go. He tells her the Sheriff will never trust her now anyway, and that only by becoming his wife will she be safe. A heartbroken Robin turns away as Marian whispers her apology to him before closing the shutters...Comments: Great episode. Really well written and constructed. Keith Allen is just superb as perhaps the cruellest Sheriff we've known, and it was good to see one of the outlaws (Joe Armstrong as Alan A’ Dale) take the spotlight. More of that please. I also enjoyed the scene where Jonas Armstrong climbed up to Marian's balcony, and nearly managed a kiss. Errol Flynn and Douglas Fairbanks would have approved! (I wonder if he does all his own back flips?) But the icing on the cake was certainly the climactic scenes between Lucy Griffiths and Richard Armitage; she trembling with tears of fear, and he pressing his advantage to gain her hand in marriage. Excellent stuff from Armitage, and the kind of scripting I've been waiting for him to get his hands on. Also, I loved Marian's bravery when feeling she was surely about to die at Gisborne’s hands, and went into a speech about the state of the nation.

Robin Hood 2006 poll results.

2006-11-18T14:51:00.001Z

And the winner is...

Lucy Griffiths as Maid Marian won the "Favourite Character in Robin Hood 2006", leading Jonas Armstrong by just one vote. Close behind Robin Hood came Harry Lloyd as Will Scarlet. Although not occuppying a lot of screen time (or being given much to say), Harry, like Jason, has fast become a kind of hearthrob figure to the teenage audience. The only other character to come close to these three was Richard Armitage as Guy of Gisborne.
Thanks for voting.

Robin Hood 2006 picture gallery 6

2006-11-14T20:43:00.002Z

Also, note the much simpler website address: www.robinhoodblog.co.uk Just type that into your address bar and you'll always arrrive here.

Robin Hood. Episode 6: "The Taxman Cometh".

2006-11-11T21:30:00.001Z

Story: An abbess claiming to have been attacked by outlaws is given access to Nottingham Castle to recover from her apparent ordeal. Inside she gets little sympathy from the Sheriff, who mocks her religious order for failing to fund its own "Holy War", and taunts her that beneath all the "haughty there is a little bit of naughty". Meanwhile, in Sherwood Forest, Robin Hood and his outlaws have intercepted what they identify as being a tax collector, carrying encoded state secrets. Robin interrogates the taxman until he reveals that all the tax money for the north of England is inside Nottingham castle. The taxman is then forced to comply with the outlaws' plan to steal it.
The subplot to all this intrigue sees Guy of Gisborne visit Marian (the first of many such visits), taking her a gift (the first of many such gifts), and suggesting she needs a husband. Marian is not impressed, and later expresses to her father that she would rather become a nun than marry Gisborne. This attiitude angers her father who believes she could do a lot worse than marry Guy. He also scolds her over her activities as the Night Watchman, and in the ensuing argument orders her to leave his house.

Marian seeks out Robin as he is on the way to steal the taxes from the Castle. She tries to explain to him how she is sick of living under such an oppressively male atmosphere, constantly undervalued simply because she is a woman. She later tells the Sheriff she intends entering Rufford Abbey as a novice, and gains his permission to see the abbess regarding the matter. Guy of Gisborne is naturally distressed at this news, and the humour in his comment about "there are other ways to learn obediance" would not have missed the attention of adult viewers...

When Robin Hood and the outlaws reach the Castle's inner sanctum the taxman reveals his true identity, locking the outlaws behind bars. But it is not only Robin who has been tricked, as the Sheriff himself will soon find out.

Comment: Frankly I think there was a better episode to be had here than what was finally delivered. The sub plot involving Marian's relationship with her father, and Guy, not to mention Robin himself, deserved more space. The scenes where she resembled nothing less than a 17th century Kelly Osbourne, striving to be seen as a person with her own opinions and ideals, were excellent. It was also good to see Gisborne challenge Robin to a one on one duel at the end, from which Robin declined. And did you notice? Will Scarlet finally got angry for a couple of minutes! Long overdue when you consider what he's been through in the series. No doubt the sight of Robin kissing a different girl to the one he really should be listening more intently to will prove popular and it's nice to see an abbess villian when one considers what was Robin's ultimate real life fate in Kirklees Abbey.

Robin Hood 2006 picture gallery 5

2006-11-05T12:08:00.001Z

Robin Hood. Episode 5: "Turk Flu".

2006-11-04T22:29:00.001Z

Ever since 1984, when Robin of Sherwood introduced a Saracen / "black" outlaw into Robin Hood's band of men, the legend has been enriched by the continuity of this idea. First there was Nasir, then came Azeem (Prince of Thieves), followed by Kemal (New Adventures of Robin Hood), and now I'm thrilled to say we have Djaq!
Story: Following an accident at the iron mill, Gisborne's workers rise up in protest. Under pressure from the Sheriff of Nottingham, Gisborne kills their leader on the spot. The Sheriff then only adds to the savage nature of this crime by sacking all the workers anyway, having made plans previously for a slave work force to be imported.
Deep in Sherwood Forest the mood is somewhat lighter, as Robin Hood restlessly teases his men, demonstrating his archery skills, and pretending not to care about the "Silver Arrow" contest which is due to take place in Nottingham. But their mood is broken when they intercept the slave trader's wagon carrying a human cargo bound for Gisborne's mines. These prisoners are all Saracens, captured during the Crusades, and there is a commendable exchange of dialogue regarding how people calling themselves Christians had conducted themselves in the Holy Lands during the Crusades. Robin Hood plans to enlist the prisoners’ help in infiltrating the iron mines in order to blow them up. Understandably, although Robin Hood and his men are on their side from the outset, it takes a long time to gain there trust and confidence. Meanwhile the Night Watchman has attended the funeral of the murdered miner, only to encounter Guy of Gisborne. Gisborne succeeds in wounding the Night Watchman's arm, a wound which he and the Sheriff later hope will give away "his" identity. Little does Guy suspect that the girl he invites on a date to the Silver Arrow Tournament, Maid Marian, knows all about the Night Watchman. But when he notices a wound on her arm, a flicker of a suspicion crosses his face....
The episode's climax involves the son of the miner who perceives Marian to be Gisborne's girl friend. He thinks, by murdering Marian, he will get his revenge. But in a display of courage she manages to convince the boy otherwise, and Robin finds a way of fulfilling his boyish desire to win the Silver Arrow after all.Comment: As stated above, the introduction of Djaq, played by Anjali Jay, is great news for Robin Hood fans. It also provided a forum for some very important dialogue regarding prejudice towards other cultures. Djaq displays knowledge in science and medicine which demonstrate a civilisation in advance of the people of England at that time, who are caught up in superstitions about Turk Flu. I for one can't wait to see more of the character - although Will Scarlet got to see a lot more than he was suspecting in one particular scene! Also the relationship between Gisborne and Marian is reaching critical point. Here is a man who cheerfully kills on impulse, and then buys Marian a silk headscarf to cover the hair which he himself saw clipped by the Sheriff's men in the last episode. But what will he do if he discovers Marian's secret identity? Will he kill her? Would he save her from the Sheriff? Or will Marian’s father ground her first for gallivanting about at night in that awesome mask? Tune in next week, Hoodies....
More pictures during the week. (Click on them to see full size).

Robin Hood picture gallery 4

2006-10-29T18:36:00.001Z

Robin Hood picture gallery 3

2006-10-29T12:12:00.001Z

Robin Hood. Episode 4: Parent Hood.

2006-10-28T21:09:00.002+01:00

The story opens with an encounter between the Men of Sherwood and Gisborne's soldiers. Robin's outlaws have found an apparently abandoned baby, not realising it is a trap and that the baby's cries will alert Gisborne's men as to there exact location. In the ensuing fight, outlaw Roy is taken prisoner to Nottingham Castle. Whilst in the dungeons he learns that the baby is Gisborne's child, the mother of who works in the dungeons and attempts to persuade Roy that Gisborne is not all bad. After some interrogation the Sheriff allows Roy to go free, having presented him with an impossible ultimatum: He must kill Robin Hood or see his mother hanged.
Once reunited with the rest of the outlaws Roy takes Robin off alone, on a mission to leave the baby at a nearby village. There they encounter Maid Marian on a mission of her own, trying to feed the villagers against the Sheriff's specific orders. They are attacked and forced to take refuge in the village, where Marian attends to Robin's wounds in an amusing and emotional scene which gives them the opportunity to explore their relationship. But when they go their separate ways Robin is left holding the baby (and a rather unconvincing baby at that). The plot lines come thick and fast as, in punishing Marian for feeding the village, the Sheriff orders her hair cut on the public gallows, whilst back in Sherwood Forest Roy's attempt to kill Robin is thwarted, and somebody somewhere is surely keeping the doll (sorry, "baby"), safe. The climax involves the now seemingly inevitable fight in the Castle courtyard as Roy and the rest of the outlaws attempt to rescue his mother, and a genuinely sad sacrifice is made.

Comments and observations: Roy was my favourite outlaw. No contest. But I suppose one doesn't hire the talents of an actor like Gordon Kennedy (Little John), and then not give him a script. So maybe tonight's ending will make way for future developments in that respect. Keith Allen is now established without doubt as one of the great Sheriff's in Robin Hood filmdom, and his dominant on-screen taunting has brought out the best in Jonas Armstrong. Lucy Griffiths has also turned out to be most impressive as the super powered hair grips become a thing of the past. (Hopefully). The plot lines here involving Marian's rebellious spirit and defence of the people, and Roy's desperation at being torn between his love for mother and loyalty to Robin, interwove wonderfully. Personally I thought the third plot line regarding the baby to be totally extraneous, and sometimes distractingly silly. However, the fact Gisborne has a baby in Kirklees Abbey (where the real Robin Hood died), plants a few seeds for future development.

Robin Hood picture gallery 2

2006-10-28T11:57:00.001+01:00

Robin Hood. Episode 3: "Who Shot the Sheriff?"

2006-10-21T21:32:00.001+01:00

Story: If anyone had any doubts previously about whether they were watching a great Robin Hood series, then surely those doubts were dispelled tonight. The programme opened with Robin Hood and his men running around a more convincingly leafy Sherwood forest than we've yet seen in the series, and trying to reason with one of the Sheriff's bailiffs who is about to close down a local Mill. When the bailiff is subsequently shot in the back, word spreads that Robin is to blame. As the days go by further senseless killings of innocent young people follow, one being the Sheriff's servant boy who is stood next to him at the time in a nicely executed piece of pre-9.00pm watershed violence. The local village folk then turn against Robin Hood and the outlaws, believing them responsible, whilst a not so innocent looking Sheriff of Nottingham relishes in exploiting the situation as he sends a rather gullible Guy hunting for Robin with his dogs.
This well established plotline then gives three characters in particular a great opportunity to explore their roles deeper. Keith Allen excels as a truly sinister and disturbed man, just holding back from the verge of the pantomime excesses which would have been an easy trap for a lesser actor to fall into. The bird cages we first saw in earlier episodes provide a great image, as does the dark Dracula style coach, riding into Sherwood Forest with the glow of a sunset behind it like it's arriving from hell. The bedroom scene involving the Sheriff and Robin Hood is also priceless. He taunts Robin with one liners that make me wonder if Jonas Armstrong knows what he's about to say. But it's the bedroom scene between Robin Hood and Marian that we've all been waiting for, and it doesn't disappoint. She clearly loves the man that went away on the Crusades, and is hurt and unsure as to how much of that same man has returned.
As Robin tries to clear his name we learn of a Night Watchman character who has been active in Robin's absence, and becomes a possible suspect; we see Marian shrewdly investigating matters, conversing with an old friend amongst the soldiers in an almost conspiratorial way; and in a great multiple climax, the identity of the Night Watchman, the truth about Marian's friend, and the identity of the killer, all stand revealed.

Comments and observations: Best episode yet. No super powered arrows or hair grips, just a really good story line with several excellent little twists and surprises. Maid Marian fans will love this one, and indeed a spin-off series is here for the making. Great performances require a great script, and Keith Allen, Jonas Armstrong and Lucy Griffiths certainly got that in an episode which wasn't afraid to just take a moment at times to explore.

Robin Hood. Episode 2: "Sheriff Got Your Tongue?"

2006-10-14T21:20:00.001+01:00

Story: The Sheriff of Nottingham and Guy of Gisborne are terrorising the people of Loxley in their search for Robin Hood, and giving them an ultimatum: Either they surrender the outlaw or one person's tongue is cut out every hour! Meanwhile, as the Sheriff enjoys his sport, Robin is all tied up, captured by John Little's outlaws. The capture of Robin and Much, and the fact Robin still smells of rose petals from last week's bath, leads to much humorous taunting. Whether or not Much is gay will be explored across many internet forums, but the relationship clearly parallels that of Romeo and Mercutio, especially in its contemporary version, and the programme is all the better for it.
John Little decides to hand Robin over to the Sheriff and collect the reward. He is an outlaw of no principles beyond his own welfare. However, in a scene which once again exhibits Robin's archery skills as being more akin to that of a superhero than the green man of legend, Robin gives himself up whilst saving John's wife's tongue from the Sheriff's scissors. But this act of self sacrifice does little to impress either John or Marian, and Much fails to enlist their help in attempting to rescue him from the dungeons. What changes John Little's mind is the sight of his own son, (yes, you guessed it, "Little John"!), playing at being Robin Hood.
The dialogue in these scenes is used to explore relevant contemporary issues. The script writers may well deny this intent, but when the Sheriff talks about camps in the Holy Land from which men return as changed persons, or Robin and Marian talk about the folly of fighting abroad when there is so much evil to defeat at home, then one cannot possibly avoid this political undercurrent. (After all, didn't Dr Who explore the demise of Lady Thatcher?)
The episode comes to an end with another well staged fight in the grounds of Nottingham Castle, with Marian looking balefully down from the window, but not this time employing her Xena Warrior Princess hairgrips.Observations and opinions: Is this Robin Hood or is it just a very good action adventure series? I for one miss the encounter with Little John on the bridge. Yes it can be changed (as in Robin of Sherwood), but to cut out these stories altogether without replacing them with an alternative? Not necessarily a good idea. But I for one like the anti-war sentiment, and we've seen that explored before, particularly in Richard Harris's version of King Richard.
Richard Armitage (Gisborne) is under challenged when he just has to stand there and shout, but the scene with Lucy Griffiths (Marian) was very effective. In this, and in the way he looks at Robin, Gisborne seems to convey an awareness of his own personal shortcomings as a man. But Sam Troughton as Much is still stealing the show. He's so good that the sight of 12th century outlaws in the forest wearing singlets and boxer shorts goes relatively unnoticed.

Robin Hood. Episode 1: "Will you tolerate this?"

2006-10-07T21:00:00.001+01:00

Story: The scene opens in England, 1192, as in time honoured style, the Sheriff's men are arresting someone for poaching. (Alan A’ Dale). A hooded man steps out from the trees to rescue him. It is Robin of Loxley, passing through Sherwood Forest on his way home from the crusades.
This journey home serves to introduce us to Robin's skills which assume super heroic status with the bow, and an eye for the ladies. His partner is Much. Not Much the Miller's son of legend, but a servant of Robin's who has accompanied him on the crusades and has now earned his freedom.
When Robin reaches Nottingham he finds the old Sheriff (Marian's father in this version), has been replaced by someone far more ruthless. The injustice Robin observes persuades him to rebel against the Sheriff, rescuing both Will Scarlet and Alan A’ Dale in spectacular style in the process, and take to the forest. At the end of the programme he is challenged from the hill top by a very tall outlaw...

Observations and opinions: The BBC is clearly onto a winner with this series, choosing to pursue those traits which the general public have always favoured in their Robin Hoods; namely that of action and charm. In spite of the contemporary "hoodie" and broad accent, when Jonas Armstrong back flips out of towers, stealing a kiss on the way, there is far more of the Errol Flynns and Douglas Fairbanks about him than the Michael Praeds. This will prove popular with the public, even though those Robin Hood fans that prefer the more mystic interpretation might be disappointed.
The cast are uniformly superb, particularly Sam Troughton as Much, who had more chance to develop the character in this first episode than simply introduce himself. Outwardly Much is a bravado character, devoted to Robin, and always hungry. (Is this the Friar Tuck substitute?) But inwardly he is distressed, possibly at things he witnessed on the crusades; possibly at the thought of actually being a free man and no longer in service to Robin. We shall see. Lucy Griffiths as Marian, and Richard Armitage as Gisborne are also particularly well cast and situated for future development, and the broad accents throughout combine with the stark settings to give a real sense of authenticity which is perhaps at odds with the somewhat dubious Star Wars type music.
One very interesting innovation (which might upset some) is the absence of an English long bow. This Robin Hood uses a Saracen bow which he obtained from the crusades. So if we are not to get a Saracen outlaw in this series, like Nasir, then Robin's sympathies with the Saracen losses he witnessed overseas are perhaps expressed in this token way.

New Robin Hood picture gallery 1

2006-10-02T21:18:00.002+01:00

BBC's new Robin Hood cast list and pictures

2006-07-08T15:41:00.001+01:00

The new Robin Hood was filmed in Hungary rather than England as locations there can be more readily made to match medieval England. Of course it also affords a little more secrecy than filming at home.
There is still no sign of a Friar Tuck character, OR an arabic outlaw, but it is my personal opinion that both could be introduced in a subsequent series. Regarding the rest of the cast Robin Hood fans should be exited at the news Keith Allen will play the Sheriff of Nottingham. That fact alone should have you on the edge of your oak branch!
Above: Jonas Armstrong (Robin Hood), Lucy Griffiths (Maid Marian), Keith allen (Sheriff of Nottingham), Gordon Kennedy (Little John).
Below: Richard Armitage (Guy of Gisbourne), Harry Lloyd (Will Scarlet), Sam Troughton (Much), William Beck (Roy - whoever that might be!) The cast will also include Joe Armstrong as Allan A'Dale. (Note: Obviously these pictures are not taken from the series).